Libertango school weekend
16 - 19 October 2026 — Athens, Greece
Workshops privates & show at Libertango School
GISELLE ANNE
Four decades inside the tango: on the stages of its golden shows, in the milongas of Buenos Aires, and at the front of its most influential classrooms. Giselle Anne is one of the dancers who turned tango from something you inherit into something anyone, anywhere, can truly learn.
1980s — Learned from the great milongueros of Buenos Aires
1995 — Pioneered the individual technique class to tango
30 years — Teaching and performing with Gustavo Naveira
IN PERSON
Seminars and festivals hosted by tango communities around the world, and special workshops of her own — from technique to musicality, for couples, for leaders and for followers.


16 - 19 October 2026 — Athens, Greece
Workshops privates & show at Libertango School
10 - 13 December 2026 — New York & Stamford, USA
Thursday Class at "La Nacional"- Friday TBD ,Saturday in Stamford, Sunday TBD
15 - 17 January 2027 — Cleveland, US
An Intensive weekend with workshops by Giselle Anne, milonga included





YouTube Interview
February 7, 2026
Giselle Anne "Tengo una pregunta para vos" by Pepa Palazon
40 years dancing tango, 30 of them with partner Gustavo Naveira
Self-taught in 1980s Buenos Aires milongas — no formal teachers existed then
Began teaching almost by accident in Seville, Spain
Met Gustavo in 1995; returned to Buenos Aires in 1999
Prioritizes connection and musicality over technique
Believes embellishments should arise naturally, not be taught
Traditionalist: favors fixed leader/follower roles over swapping
Says an "active" follower comes from understanding, not leading
Now rediscovering herself as a solo dancer/teacher post-partnership with Gustavo
Launching a project to train future tango teachers
Advises aspiring professionals: dance widely, experiment, find your own style
Forty years of stagecraft and analysis, three ways into your own dancing. All the ways to study →
TANGO TEACHERS
Giselle and Gustavo Naveira spent thirty years building the Tango Progressive Program — eight levels, sixteen classes each, in the order a dancer can actually absorb them. Teachers they trained are running it in New York, Taiwan, Cyprus and Hamburg.
If you teach tango, or are getting ready to, Level A is where that starts.